Saturday, 29 March 2008
Ghost Voices
This sound from 1860 is the oldest recorded human voice there is. It is a woman singing a french folk song, which was etched into a sooty piece of paper using a device called a phonautograph. The recording was made by digitally sonifying the engraving.
David Giovanonni, the historian who found the recording said, "The fact is it's recorded in smoke. The voice is coming out from behind this screen of aural smoke."
Thursday, 20 March 2008
Tuesday, 18 March 2008
Stealing from the poor, to give to the rich...
Seeing as it’s a hot topic right now, I thought I’d take a quick look at the Blackwall Reach Regeneration Project, picking out some of the more significant points. I am a signatory to the BD campaign to save Robin Hood gardens, but not for the ‘masterpiece’ reason, and the issue is not entirely black and white, of course. I think that Architects do themselves no favours by aestheticising something that has to be lived in, without a care for the residents, but the regenerators certainly have nothing like the best interests of the residents at heart.
NU-LANGUAGE
The way the reports are written are good examples of spinning the situation as something responsive to the existing residents. Everyone is to be consulted, all views will be taken into account, and of course nothing has been decided yet. A few of these tactics are detailed below.
The first problem I noted is the frequent use of the word ‘local’; as in ‘homes for the local community’. This report detaches local from its temporal associations. As far as I can gather, local, in the context of the report, means anything that is present in the area. If I were to walk down there now, the report would consider me local until I walked back out. This disingenuous use of the word will form the basis of a number of examples of intellectual sleight-of-hand throughout the report, regarding relocation and influx. To be tautologically blunt, somebody buying a new penthouse in Blackwall Reach will instantly become a local, and the family forcibly removed and rehoused further east will no longer be local.
Another issue is that a lot of the report is based upon the provision of what is called ‘affordable housing’, which is defined by the government thus:
Affordable housing is:
‘Affordable housing includes social rented and intermediate housing, provided to specified eligible households whose needs are not met by the market. Affordable housing should:
– Meet the needs of eligible households including availability at a cost low enough for them to afford, determined with regard to local incomes and local house prices.
– Include provision for the home to remain at an affordable price for future eligible households or, if these restrictions are lifted, for the subsidy to be recycled for alternative affordable housing provision’.
source – Planning Policy Statement 3
The vagueness of this definition is routinely abused in the contemporary construction industry; Developers, who of course operate only at the level of the bottom line, have no interest in providing ‘affordable’ housing at below the market rate, so one often ends up with studio flats being designated as the ‘affordable’ housing in a new scheme, this of course exacerbates the problem, as these units are usually sold to the growing number of well-off single person householders that have been a large cause of the rise in housing prices in the first place. There is nothing to suggest that Blackwall Reach will be any different.
Most of the report, it has to be said, makes well meaning and totally uncontroversial statements, nice, friendly and spun. Profit is referred to as ‘financial gain for community facilities’, for example. There are two development options outlined, the one retaining Robin Hood Gardens has three pros and ten cons, and the option demolishing it has eight pros and three cons. This is where spin really comes into play, as a pre-made decision is given a veneer of debate and rationality.
For example, from option one:
‘every council rented home in Robin Hood Gardens would be brought up to the Government’s basic decent homes standard (not to the same standard as new homes)’.
This patently negative comment is given as a plus, and yet the same point rephrased appears three times in the case against…
‘Funding refurbishment would be difficult and would only allow work to achieve basic Decent Homes standard.’
‘Refurbished homes not to same standard as new homes and would be less energy efficient.’
‘Costs of refurbishment may not be good value for money compared to new homes’
This is barrel scraping, basically, filling out blank bits of paper in the report with what is supposed to look like consideration and evaluation.
REHOUSING
The real argument against this situation is that it is an example of class cleansing. Those who currently live in the area should have far more of a say what happens to them, but right now they have to deal with an ongoing uncertainty that is likely to result in their having to leave. Around 80% of people who responded to consultation want Robin Hood Gardens to be demolished, but the same amount want to stay in the neighbourhood, and the two are not likely to be reconciled.
Every question asked about the re-housing policy meets with a qualified answer, such as ‘those who wish to remain in or return to the area have a good chance to do so.’ A good chance having nothing solid about it at all. This insecure situation is also routinely referred to as being given a choice, which of course is not the same as being free to choose.
There is a density issue as well. The site currently has 252 homes on it, according to the report, and the proposals are to build up to 3000 homes on the site. If, as claimed, 35% of the new housing will be ‘affordable’, then shouldn’t it be easy to guarantee the current residents the option to remaining there? One reason that there can be no guarantees is that the council will have no houses on the redeveloped land, they are giving up their landlord status to the private sector, and they can only make suggestions to these ‘registered social’ landlords. The report states, 'people who are tenants of the council can remain tenants of the council if they wish', the word 'elsewhere' being omitted.
Directly to the south of the site lies Canary Wharf, and to the north is the Olympic site. Robin Hood gardens is part of the last barrier against the spread of the City, which has now burst the dam at the Aldgate roundabout and is proceeding eastwards along Commercial Road. The Blackwall Reach regeneration would mean Docklands crossing the Highway, and then it’s not long before the East End of London begins in France. The people who already live there deserve better to be cleansed away by the regeneration juggernaut (the reports even speak ominously about a ‘right of return’ that can in no way be honoured), even if this gentrification is inevitable.
Monday, 17 March 2008
Saturday, 15 March 2008
Don't give me what I want, because that's not it...
IT is fantastic on the contemporary abuse of language, and the happy role that the art-world plays in it. It is a sad world indeed when you can pick up Sokal’s latest book, with its attacks on the utilisation of ‘postmodern’ tropes by scumbags in order to defend the indefensible, and find an urge to agree with him.
I’ve been re-reading Anti-Oedipus recently, and not only is there a real patina growing upon D&G’s work now, but there’s a certain melancholy feeling, knowing how totally and absolutely their line of flight has been reterritorialised. In my opinion the age of deleuzoguattarian politics, or at least the age of the possibility of them, died with the 9/11 (November ninth?) attacks. What looked almost, for a second, with Seattle and Genoa etc… as if there was a growing resistance now seems a world away. Their work is still outstanding, but IT is right to point out that there is a strong smell of naivety that lingers around D&G now.
Regarding aphasia, I’m often brought back to Lacan’s retort to the agitators:
But outside what? Because when you leave here you become aphasic? When you leave here you continue to speak, consequently you continue to be inside.
Can we understand aphasia to have a power ascribed to it here? Aphasia as failure of communication? Where Lacan posits aphasia as an impossible ideal limit, the impossible outside of communication, the Virno quote suggests a residue of communication, something that always remains unclear, a remainder even when communication is ‘successful’. This is not a new idea, and there are many words for it, but does it follow that this must be defended, that this is the grain of authenticity within a degraded and depthless language? Is it the case that our society demands a logic based upon success? Is there anything critical in failure?
Perhaps aphasia can be related to a term that is of significance for my work: ruination. If aphasia, understood in this context, is the radical inability to speak, the productive failure of language, I would like to stress a particular concept of a ruin, the archival object whose signifying link has been short circuited, referring now only to its own materiality. The perfect example of this is the gravestone from which the names have been effaced, leading to a specific leap from the particular to the universal. In a way, part of the power of a ruin-object is its obscene presence; when its link to immaterial information has been severed it becomes radically useless. Perhaps the ruin is the aphasic condition of an archive, a sort of Bartleby object, but I remain unconvinced of (or unable to work out the details of) the true radical qualities of these terms.
What are the possible responses to this condition, when you can buy revolutionary literature in Borders, does that necessarily negate its power? It is absolutely correct that the language of the ‘creative industries’ (and has there ever been a more sure way of knowing that someone has not a creative spark in their entire brain than hearing them use the phrase ‘creative industries’ without killing themselves?) performs a self perpetuating fog of obfuscation that is almost identical to that of contemporary politics, but does this mean that all critical communication is worthless? There may not be an outside, but does that mean that all attempts at true creativity are failures? What if failure is what is attempted?
I’ve been re-reading Anti-Oedipus recently, and not only is there a real patina growing upon D&G’s work now, but there’s a certain melancholy feeling, knowing how totally and absolutely their line of flight has been reterritorialised. In my opinion the age of deleuzoguattarian politics, or at least the age of the possibility of them, died with the 9/11 (November ninth?) attacks. What looked almost, for a second, with Seattle and Genoa etc… as if there was a growing resistance now seems a world away. Their work is still outstanding, but IT is right to point out that there is a strong smell of naivety that lingers around D&G now.
Regarding aphasia, I’m often brought back to Lacan’s retort to the agitators:
But outside what? Because when you leave here you become aphasic? When you leave here you continue to speak, consequently you continue to be inside.
Can we understand aphasia to have a power ascribed to it here? Aphasia as failure of communication? Where Lacan posits aphasia as an impossible ideal limit, the impossible outside of communication, the Virno quote suggests a residue of communication, something that always remains unclear, a remainder even when communication is ‘successful’. This is not a new idea, and there are many words for it, but does it follow that this must be defended, that this is the grain of authenticity within a degraded and depthless language? Is it the case that our society demands a logic based upon success? Is there anything critical in failure?
Perhaps aphasia can be related to a term that is of significance for my work: ruination. If aphasia, understood in this context, is the radical inability to speak, the productive failure of language, I would like to stress a particular concept of a ruin, the archival object whose signifying link has been short circuited, referring now only to its own materiality. The perfect example of this is the gravestone from which the names have been effaced, leading to a specific leap from the particular to the universal. In a way, part of the power of a ruin-object is its obscene presence; when its link to immaterial information has been severed it becomes radically useless. Perhaps the ruin is the aphasic condition of an archive, a sort of Bartleby object, but I remain unconvinced of (or unable to work out the details of) the true radical qualities of these terms.
What are the possible responses to this condition, when you can buy revolutionary literature in Borders, does that necessarily negate its power? It is absolutely correct that the language of the ‘creative industries’ (and has there ever been a more sure way of knowing that someone has not a creative spark in their entire brain than hearing them use the phrase ‘creative industries’ without killing themselves?) performs a self perpetuating fog of obfuscation that is almost identical to that of contemporary politics, but does this mean that all critical communication is worthless? There may not be an outside, but does that mean that all attempts at true creativity are failures? What if failure is what is attempted?
Friday, 14 March 2008
new address
This page is now also at entschwindetundvergeht.com, which will be accompanied by improvements and expansions, more posts of work completed and such things. Meanwhile, we work like dogs.
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